Library

Salamon Gallery

For more information or for appointment contact us at: info@salamongallery.com

We have a vast collection of books, auction catalogues, and specialised magazines that have been catalogued in a database - about 15.000 titles. Collectors and scholars may consult the database online through our website.
If, after finding references to books, articles, artists and authors, you wish to make an appointment to come consult the material firsthand, we are more than happy to welcome you.
Please note that the books and magazines in the gallery's library are for study only and are not available for sale or to borrow. For more information or to schedule an appointment please contact Simona at: sz@salamongallery.com

Venezia Cinquecento
Anno XXI, n° 41, 2011, pag. 61
Raymond B. Waddington
Go East: Pietro Aretino's Flirtation with Costantinople
Venezia Arti
Anno 2001-2002, n° 15-16, pag. 137
Claudia Volpato
Goffredo Petrassi e Wolf Ferrari alla Fenice. L'allestimento de 'Il filosofo di campagna' a Venezia nel 1938
Master Drawings
2014, vol. LII, n° 4, pag. 513
Michelle White
Going Blind: Drawing in the 1970s
Paragone Arte
Luglio 2012, Anno LXIII, n° 104 (749)
Anna Mazzanti
Golden Days: Artisti americani in Toscana all'inizio del Novecento
Venezia Arti
Anno IX, 1995, n° 9, pag. 150
Paola Pupp
Goldoni antiquario
Print Quarterly
March 2003 vol XX number 1 p 89
Nancy Bialler
Goltzius and Sculpture
Print Quarterly
1995, vol. XII, n. 1, p. 80
Clifford Ackley
Goltzius's Chiaroscuro Woodcuts
Print Quarterly
Vol XV, no 2, June 1998
Kimberly Schenck
Goltzius's Use of Grey Ink
Print Quarterly
Vol XV, no 2, June 1998
Sarah Symmons
Goya
Print Quarterly
1989, vol. VI, n. 4, p. 447
Janis A. Tomlinson
Goya and the Enlightment
Print Quarterly
1992, vol. IX, n. 1, p. 94
Nigel Glendinning
Goya and the Satirical Print
Master Drawings
1989, Vol. 27, n° 4, pag. 374
Priscilla E. Muller
Goya y el espiritu de la ilustracion. Goya and the spirit of enlightement
Print Quarterly
Volume XVIII number 1 march 2001 pag. 41
Frank I Heckes
Goya' s Tauromaquia : A criticism of Bullfightin?
Master Drawings
1974, Vol. XII, n° 2 , pag. 151
Peter Kuhn-Nielsen
Goya's "Tantalo": genesis of a composition
Print Quarterly
1993, vol. X, n. 2, p. 187
Janis Tomlinson
Goya's Caprichos
Print Quarterly
1995, vol. XII, n. 2, p. 145
Jesusa Vega
Goya's Etchings after Velazquez
Master Drawings
2007, Vol. XLV, n° 3 pag. 394
Andrew Schulz
Goya's Last Works, exhibition catalogue by Jonathan Brown and Susan Grace Galassi
Print Quarterly
1994, vol. XI, n. 2, p. 185
Sarsh Symmons
Goya's Plates
Print Quarterly
1990, vol. VII, n. 3, p. 325
Reva Wolf
Goya's Print Series
Print Quarterly
Volume XVIII n° 1, March 2001, page 41
Frank I. Heckes
Goya's Tauromaquia: A Criticism of Bullfighting
Print Collector (I Quaderni del Conoscitore di Stampe)
Milano, Salamon e Agustoni Gennaio-Febbraio 1973, n° 15 p. 20
Paul Klee
Grafica
Print Collector (I Quaderni del Conoscitore di Stampe)
Milano, Salamon e Agustoni, May-June 1973, n° 2, p. 20
Paul Klee
Graphic Art
Print Quarterly
Volume XVI n° 3 september 1999 pag 229
Irena Kossowska
Graphic art in Poland 1890 - 1914
Print Collector (I Quaderni del Conoscitore di Stampe)
Milano, Salamon e Agustoni, September-October 1974, n° 9, p.44
Mila Leva
Graphic art nouveau in Russia
Print Quarterly
Vol XIV, no 4, December 1997
Jeremy Aynsley
Graphics Design since 1800
Print Quarterly
1993, vol. X, n. 1, p. 82
Pat Gilmour
Graphicstudio
Print Quarterly
Vol XIII, no 4, December 1996
Christopher White
Graven Images
Arte Veneta
Annata VIII, 1954, p. 213
Martin S. Soria
Greco's Italian period
Print Quarterly
Volume XIX, number 2, June 2002, pag 123
Waldemar Deluga
Greek Church Prints
Studi di Storia dell'Arte
Ediart, n° 18/2007, pag. 299
Mary Newcome
Gregorio De Ferrari in Seville